Vector gradingįinally, for grading secondaries you’ll use the vector grading tool. I personally prefer the individual Color Finale curves as they are much easier to manipulate. They work like the curves in Photoshop and DaVinci Resolve, which is different from Red Giant’s Colorista III, where you have one curve with luminance and RGB values superimposed. The curves are great to control contrast or shift the footage to a specific hue. With the mouse you drag a white “puck” to change the colour. There are three sliders to control the luminance per tone range - or wheel - in addition to a slider for overall saturation adjustments. The colour wheels and curves make up for the Telecine tools in Color Finale. But starting without ever loading a LUT is possible too. When you subsequently load the plugin in Final Cut Pro X, you can start with selecting a LUT to map your footage from the camera’s into the desired colour space. OSIRIS and ImpulZ that accurately emulate the look of 35mm film) and use with Color Grading Central’s LUT Buddy and adding them to Color Finale in stand-alone mode. You can start with any of the tools, but one of the most obvious is to start by converting the colour grading LUTs you already have created or purchased (e.g. Layers can be renamed for convenience as well. Re-ordering curve and wheel adjustments will give different results. The layers can be re-ordered by dragging as well. A row of icons allows access to these tools.Įach of the tools represent a layer when used and each tool can thus be used several times if needed. The interface itself is deceptively simple and comes with three colour wheels, curves, a LUT selector and vector grading tools. So, Color Finale has its roots in award-winning cinema and it shows. The plugin has two components: a stand-alone app, which has a module to manage LUTs from Color Grading Central, and the actual plugin itself, which when dragged from the Inspector in Final Cut Pro X, opens a free-floating window. The result is Color Finale, a plugin specially developed by colour scientists for colour scientists - and the rest of us - using Final Cut Pro X.Ĭolor Finale has been co-developed by a software engineer with a background in developing systems for colour grading and digital intermediate and credits in A-list blockbuster movies. Denver Riddle from Color Grading Central does. Few developers understand what a truly professional colour grading solution for Final Cut Pro X should include.
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